The South American region was of great importance in the evangelizing process carried out by European religious since the sixteenth century, which is evident by the large number, diversity and wide distribution of temples in all the territories under the control of the Spanish Crown, which bear witness the work done and the long tradition in the thought, culture and identity of the population up to the present. The whole church's manufacture is made of sedimentary (sandstone) and igneous stone. Declaration of principles to promote international solidarity and cooperation to preserve World Heritage, Heritage Solutions for Sustainable Futures, Recommendation on the Historic Urban Landscape, Central Africa World Heritage Forest Initiative (CAWHFI), Reducing Disasters Risks at World Heritage Properties, World Heritage and Sustainable Development, World Heritage Programme for Small Island Developing States (SIDS), Initiative on Heritage of Religious Interest, Protection of human rights (Procedure 104). Estos sagrados paraísos son la muestra perfecta de las diversas influencias religiosas de China — budismo, confucianismo, taoísmo y, a veces, una combinación de los tres —, así como de sus distintos estilos arquitectónicos. More Contacts Site Map Become a member Donate Now! 011-2006-ED) and by the Political Constitution of Peru, in addition to other complementary norms. Localización: Departamento del Cuzco. The execution of these pictorial works was mainly in the hands of indigenous and mestizo artists, whose cultural heritage bequeathed by their ancestors influenced their works in which the native flora and fauna are frequently represented, which were very traditional reasons in the pre-Hispanic period. En Tlaxcala los indígenas no se quisieron quedar atrás y también labraron sus bóvedas policromadas en el Camarín de la Virgen, en Ocotlán, el bautisterio del templo de San Bernardino Contla, y la sacristía del templo de San Antonio Acuamanala, entre otros espacios. Situados la mayoría junto a las carreteras que comunican a las capitales tlaxcalteca y poblana, son de fácil acceso para los visitantes, y sin embargo permanecen ignorados. The protection and supervision of the temples is under the responsibility of the Ministry of Culture through its Decentralized Directorate of Culture of Puno, sharing responsibilities with local governments (municipalities) and the Regional Government of Puno, according to Law No. All the temples are now part of the Cultural Patrimony of the Nation, declared as Monuments by Law No. The works had to suffer delays by the Rebellion of Túpac Amaru, restarting it in 1788 to be completely finished in 1794 due to the contribution of owners of mining deposits. En San Bernardino Contla se combinan ambos estilos, cubriendo todos los espacios de las bóvedas, los tambores, las pechinas y los muros. It has a Latin cross and highlights the profuse carving of its altarpiece and interior cover, mainly in the sector of the transept and the presbytery, with mestizo ornamentation. There are important challenges to be addressed in relation to the physical environment of the temples, particularly those related to the alteration of the respective urban environments. cksck anhk mîs ck ;444 nþjs, sbkecj zjen ck jrb`ke ck eumkrjsns huoturns prkabspîebhns, hjmj Sbnaunenhj quk nohneznrje ue notj `rncj ck jr`nebznhbøe sjhbno, mbobtnr y rkob`bjsn y ke, on trnesfjrmnhbøe cko tkrrbtjrbj ckgbcj prbehbpnomketk no cksnrrjooj ck on n`rbhuoturn y on, fjrmnhbjeks sjhbnoks ke on rk`bøe. Perú cuenta actualmente con los siguientes lugares declarados como Patrimonio de la Humanidad por la Unesco : Santuario histórico de Machu Picchu. 387/INC dated 05/26/2004 (San Francisco de Asis de Marcapata), National Director’s Resolution No 1492/INC dated 11/04/2005 (San Pablo Apostol de Ocongate), National Director’s Resolution No. The temple, which covers an entire block located between two large squares, stands out for its monumentality, being visible from any place distant from the city. La combinación de un estilo oficial y académico impulsado por los criollos, y uno popular y espontáneo ejecutado por indígenas o mestizos, será la característica que imprima insólitos matices, a veces contradictorios pero de curiosa armonía, a los templos barrocos tlaxcaltecas. En algunos convergen con éxito el barroco y el neoclásico, incluso otorgando este último un respiro visual a los recintos. 28296 General Law of the Cultural Heritage of the Nation, its Regulation (Supreme Decree No. En este sentido, la fachada del Santuario de Ocotlán aventaja a las otras por la completa unidad de todos sus elementos. En la jurisdicción de Tixkokob se pueden visitar las haciendas de Aké, Chi, Kanyunyún, Nohchán y de Santa María. De este, pues, formidable de la tierra. Estos ejemplos aún no se han verificado. close menu Idioma. 9342 of 02/20/1941 (Santiago Apostol de Lampa), Law No. Termino esta descripción consciente de que es apenas un comentario sobre esta riqueza arquitectónica; apenas una invitación al lector para que emprenda el viaje a esos rincones de gran valor artístico y simbólico, muchos de ellos apenas conocidos por quienes deciden explorar nuevas encrucijadas. Sabido es de todos que nuestra provincia de Guadalajara encierra por todos sus pueblos un contingente impresionante de obras de arte, que a pesar de las guerras, los destrozos y la rapiña, ha llegado hasta nuestros días en cantidad suficiente como para levantar la . The conjunction of influences and local contributions received and reinterpreted locally, generated unique examples of religious buildings of great architectural value, which acquire high symbolic value as sacred places within the particular religious worldview of the inhabitants of Collao of cult extraversion, and present notable features as part of the evolutionary process of the architecture of the temples, evident in their volume and mass that allows them to stand out notoriously from the profile of the populations in which they are located constituting a visual and belonging landmark; in the hierarchy of its location within the urban traces, constituting at the same time centers of urban organization; in its plants of Latin cross with the traditional elongated and narrow naves that constitute a persistence of the proportions of the Renaissance temples of the region; in the development of very elaborate altarpiece façades that ratify the baroque idea of façades in relation to the urban space and the building; in the application of the ornamental carving in stone of planiform character, of deep incisions and edges carved to bezel that accentuate the feeling of the chiaroscuros and that incorporates motifs of the local flora and fauna together with prehispanic motifs, classical and Christian mythology, composing an iconography with great symbolic content; in the large atriums mostly fenced for liturgical use, ritual festivities and as a cemetery. Templos barrocos del Collao, Ministerio De Cultura by master_quispe. The Tentative Lists of States Parties are published by the World Heritage Centre at its website and/or in working documents in order to ensure transparency, access to information and to facilitate harmonization of Tentative Lists at regional and thematic levels. In the 17th century in the Viceroyalty of Peru, three local schools or centers in sculptural production stood out. A excepción de uno de los doce templos, el de Tepeyanco, todos los demás tienen la orientación de su crucero hacia el oriente, la dirección de Jerusalén, donde fue crucificado el Redentor. SANTIAGO APOSTOL TEMPLE. Declaration of principles to promote international solidarity and cooperation to preserve World Heritage, Heritage Solutions for Sustainable Futures, Recommendation on the Historic Urban Landscape, Central Africa World Heritage Forest Initiative (CAWHFI), Reducing Disasters Risks at World Heritage Properties, World Heritage and Sustainable Development, World Heritage Programme for Small Island Developing States (SIDS), Initiative on Heritage of Religious Interest, Protection of human rights (Procedure 104). During the second half of the 16th century and the beginning of the 17th century the temples in the rural areas of Cusco raised for doctrine purposes, were characterized by their formal and constructive simplicity, developing a single-nave plant with volume of horizontal tendency that hierarchizes certain key elements; the area of the presbytery is announced with autonomy from the rest of the roof demonstrating the existence of an independent Artesonado. Ensuring that World Heritage sites sustain their outstanding universal value is an increasingly challenging mission in today’s complex world, where sites are vulnerable to the effects of uncontrolled urban development, unsustainable tourism practices, neglect, natural calamities, pollution, political instability, and conflict. Algunos elementos, como los mascarones que vomitan frutas (signo de la abundancia y la gula) o los rostros de cuyas bocas surgen innumerables volutas que se integran al follaje circundante, evocan detalles de la capilla del Rosario y de Santa María Tonantzintla en Puebla. Surgió en Italia y desde allí se extendió a toda Europa. Externally they present ample atria, initially enclosed, and open chapel or "chapels of Indians" arranged in the standing facades oriented towards the plazas or littles squares. Iglesia de Santiago Apóstol (Teapa) Iglesia de Santo Domingo (Ciudad de México) Iglesia de Santo Domingo (San Cristóbal de Las Casas) Iglesia del Cristo de Mapethé. Debido a esto, se considera que esta iglesia fue tomada como ejemplo para la realización . Later, this presence would be reaffirmed with the establishment of the Royal Patronage, in which the Church and the State will be closely linked in the formation and development of the new colonies. SANTA CRUZ DE JERUSALEN TEMPLE. Abrir o menu de navegação. SAN PEDRO MARTIR TEMPLE. All the selected temples are now part of the National Cultural Heritage, declared as Monuments by Act No. Esta iglesia, junto con la Catedral, es considerada una de las más bellas edificaciones religiosas de la ciudad. In general, there is a good state of preservation and physical integrity has been maintained in all the temples, except for Santa Cruz de Jerusalem de Juli whose abandonment at the end of the nineteenth century caused the progressive fall of vaults and the belfry tower, as well like the bell tower of the temple of San Pedro de Zepita that collapsed due to the impact of a lightning strike, however both buildings are stabilized and in the process of being restored by the Ministry of Culture. Asillo. y redil espacioso donde encierra. On rk`bøe cko Hjoonj j notbponej necbej ej kstuvj no mnr`ke ck cbhans, su `rne pjgonhbøe k bmpjrtnehbn khjeømbhn (mbekrín, `nenckrín, n`rbhuoturn), nckmîs ck, kehjetrnsk ke on rutn quk hjekhtngn Obmn y Hushj hje Tjtjsí, prbehbpno hketrj mbekrj y `rne, mkrhncj hjmkrhbno cko vbrrkbentj ke ojs sb`ojs QVBB y, Ko Hjoonj j notbponej necbej, ks uen kxtkesn ponebhbk ugbhncn n uen notbtuc mkcbn ck, hnrnhtkrbzncn pjr su `rne noturn (puen), rkobkvk, nrbckz, hobmn. ke on rk`bøe, ko cksnrrjooj ck on `nenckrín y ko hjmkrhbj hje Tjtjsí. BARROCOS MEXICANOS ÍNDICE INTRODUCCIÓN ANTECEDENTES EXPONENTES DEL BARROCO MEXICANO: De España a México. Los órganos barrocos, situados en el coro, imponen su poderosa presencia tubular desde las alturas. Otros lo adelantan unas décadas, hasta finales del siglo XVI. Pomata. AUTHENTICITYAll the original attributes of form and design, materials, construction techniques, location and landscape environment that characterize the religious architecture developed in the Collao region and illustrate its evolutionary process are present in the set of the nine selected temples from the influences received in the seventeenth century from the regional schools of Cusco and Arequipa, as well as the knowledge of design and construction techniques transmitted by the Spanish Master Builders to the indigenous and mestizos, and the local aesthetic contributions that defined in the eighteenth century a fusion of trends and architectural and artistic knowledge and the transfer of aesthetic criteria to other regions of the Peruvian and Bolivian high plateau. It was built between 1677 and 1696 due to the encouragement of the Bishop of Cusco, Manuel de Mollinedo y Angulo, for being in ruins the pre-existing temple of the sixteenth century. El contraste de estilos no significa que los templos carezcan de belleza o de armonía. La legislación peruana sobre el Patrimonio Cultural, Órganos Consultivos del Comité del Patrimonio Mundial, Los Estados Parte de la Convención de 1972, Fondo del Patrimonio Mundial y la Asistencia Internacional. Aseguran algunos expertos que el estilo artístico barroco dio sus primeros pasos a comienzos del siglo XVII. Lima, ciudad de reyes y virreyes, fue desde siempre una suerte de oasis de cultura y boato en las Indias americanas. El 5 de mayo de 1591 fue fundado este convento. Donate. Criterion (ii): The set of doctrine rural temples for the evangelization of the indigenous population of Cusco, constitutes a very complete and representative example of architecture and art developed in doctrines established in the territories of the new world under the dominion of the Spanish crown, from the 16th century until the beginning of the 19th century, a period in which multiple stylistic and aesthetic expressions were developed based on the currents of religious and enlightened thought of each era, which served as a means for teaching Christianity to the illiterate population and for transmitting values and concepts according to the doctrine of the church and principles of the Spanish administration. The factory of stone masonry, presents Latin cross plant with barrel vaults and dome over the transept. Cuando los españoles llegaron a México lo utilizaron en varias . Zepita. A fire in 1933 destroyed the altarpiece of the High Altar being designed a new one by the Arch. Sofa with 2 baroque seats, upholstered in velvet fabric. Esta característica hace que la tarde sea el mejor momento para fotografiarlos. Templos barrocos del Collao, Ministerio De Cultura, 0% found this document useful, Mark this document as useful, 0% found this document not useful, Mark this document as not useful, Save Templos barrocos del Collao For Later, Tkrü, Wk`bøe Tuej, prjvbehbns ck Mko`nr, Nzîe`nrj, Onmpn, Tuej y, Hauhubtj, cbstrbtjs ck Nynvbrb, Nsbooj, Onmpn, Tuej, Luob, Tjmntn y, kspnþjo quk, hje nr`umketj ck quk on uebcnc pjoítbhn cko Bmpkrbj ckgín gnsnrsk ke on uebcnc, rkob`bjsn, cktkrmbeø quk on hjequbstn ck ojs eukvjs tkrrbtjrbjs sk abhbkrn ej sjoj pjr on kspncn, kstrkhanmketk vbehuoncjs ke on fjrmnhbøe y cksnrrjooj ck ons eukvns hjojebns. 352/INC del 03/10/2006 (San Juan Bautista de Ccatcca), Vice-Ministerial Resolution No. Es imposible hacer una descripción en tan breve espacio de los pilares, pilastras, nichos, hornacinas, follajes, santos, vírgenes, ángeles, querubines, conchas, medallones, altorrelieves, bajorrelieves, esculturas de Cristo y múltiples detalles más que atiborran estas moles de madera cubiertas con papel dorado. It conserves its interior equipment of altarpieces, pulpit, canvasses, etc. 27867, Organic Law of Regional Governments. The rural temples of Cusco represent the integral conjunction of architecture and fine arts developed over time by the Catholic Church with the purpose of serving as a means of education and attraction for the evangelization of the local indigenous population and to ensure their incorporation into administrative and productive Spanish process. Publications World Heritage Review Series Resource Manuals World Heritage wall map More publications ... Funding World Heritage Fund International Assistance. Revista Anales del Instituto de Investigaciones Estéticas de la UNAM The first signs of viceregal architecture in America had some survival of Gothic features, although soon began to arrive the new currents that were produced in Spain, such as Mudejar, Renaissance and Mannerism. This is how two architectural tendencies marked in the region during the Baroque are evidenced: the developed from the transmission of European canons within the limits of the populations of Quechua origin, in the plains of the high plateau lacking in vegetation far from Lake Titicaca and of rigid weather, like San Francisco de Assis de Ayaviri, San Geronimo de Asillo and Santiago Apostol de Lampa, whose influence was determined by the geographical proximity and administrative-religious dependency with the city of Cusco, as well as the decisive intervention of the Bishop of Cusco and great patron Manuel de Mollinedo y Angulo after the earthquake of 1650; and the one developed in the Aymara area near the shores of Lake Titicaca, linked to the Bishopric of Charcas (present-day Bolivia) from the eighteenth century as Nuestra Señora del Rosario de Pomata, San Pedro de Zepita, San Carlos de Puno (Minor Basilica Cathedral), as well as the temples of Juli San Pedro Martir and Santa Cruz de Jerusalen, where the monumentality and sobriety of the architecture of Cusco are combined with the planiform decoration of Arequipa origin applied to the façade and some interior elements to which they are added, without modifying their schemes and in an archaizing and extensive manner, elements of the Andean and tropical flora and fauna, of classical mythology such as mermaids and masks, and pre-Hispanic motifs such as the sun, the moon, the puma, etc., all these elements present in the worldview of the local inhabitants, identifying also the representation of myths and legends. A raíz de la conquista española en América, el estilo del Barroco se introdujo de forma importante enriqueciéndose con la mano de obra y los conceptos propios de la arquitectura y arte precolombinos. As a result of the interaction and coexistence in the sixteenth and seventeenth centuries between Spanish Masters Builders with mestizos and Indigenous who were trained in the work of masonry, stonework, carpentry, sculptors of stone and wood carving, smelters, etc. Nombre del Bien: Templos Barrocos del Collao Estado, Provincia o Región: Perú, Región Puno, provincias de Melgar, Azángaro, Lampa, Puno y Chucuito, distritos de Ayaviri, Asillo, Lampa, Puno, Juli, Pomata y Zepita. Fragmento de "Fábula de Polifemo y Galatea", de Luis de Góngora. Over time, in the eighteenth century, the exchange of values and transfer of knowledge in the construction activity that goes from Spanish to indigenous and mestizo is completed, also receiving the ornamental influence of Arequipa, assuming the latter the roles of design and direction of the works, doing what they know how to do for what they have learned from the Spanish master builders and for the empirical tradition, reducing the peninsular presence almost completely in the creative and execution processes, facilitating in this way the contribution of local forms and aesthetics that give a unique architectural identity typical of the region that has been integrated with the surrounding wild landscape. The World Heritage Centre is at the forefront of the international community’s efforts to protect and preserve. baroque (503) Es uno de los últimos palacios barrocos construidos en España. The architecture of Baroque temples of Collao is characterized at first sight by the notorious monumentality and quality of its manufacture, as well as by the strength that gives it the use of stone as a building material. Inside, as in Ayaviri and Asillo, it preserves a series of huge canvases with marquetries, as well as altarpieces, pulpit and various ornaments. SAN FRANCISCO DE ASIS TEMPLE. More Contacts Site Map Become a member Donate Now! Take advantage of the search to browse through the World Heritage Centre information. The main architectural works that were developed mainly were religious, since by real order, the first building that should be built in any new town should be a temple or chapel. The work of evangelization carried out by the Spanish religious community since 1532 in the ancient viceroyalty of Peru was transcendental for the construction of temples that, despite their initial simplicity, constituted the most important buildings in cities and rural towns; both for their size, as well as for their religious and social function. The beautiful main façade, located on the wall of feet flanked by the towers of the bell towers, is characterized by its profuse composition and baroque ornamentation. Similarly, the serial properties of North America registered on the World Heritage List (Mexico, USA) have particular design characteristics, being more linked compositionally and stylistically to each other than to the South American examples that had an independent development and very different from Mexico and its area of influence. By comparison, the latter is very much unlike the well-proposed serial that is based on the integral relationship between the architecture and the interior equipment of local production and remarkable artistic quality, as tangible examples of the process of the development of the doctrines and the evangelizing process in the viceroyalty of Peru. LIMA . The presence of the church in the new colonies was of enormous importance for the Spanish Empire, which, arguing that the political unity of the Empire should be based on religious unity, determined that the conquest of the new territories was made not only by the sword but also by the cross. Pasó a ser parroquia en 1602. Ensuring that World Heritage sites sustain their outstanding universal value is an increasingly challenging mission in today’s complex world, where sites are vulnerable to the effects of uncontrolled urban development, unsustainable tourism practices, neglect, natural calamities, pollution, political instability, and conflict. pacific ocean ecuador bolivia peru map chile brasil lima colombia puno regional limits road river contour lines provincial limits 2 3 4 6 8 santiago apostol san carlos Iglesia de Santa Ana (Ciudad de México) Iglesia de Santa María la Redonda (Ciudad de México) Iglesia de Santa Teresa la Antigua. En la arquitectura barroca domina la riqueza ornamental, la monumentalidad, el efectismo, la . A similar situation is present in the serial temples inscribed in the Indicative Lists of the State Parties that represent the rural architecture of the doctrines in the Andes as the Churches of the Altiplano (Chile) and the Temples of the Catholic Doctrine (Colombia). Se encuentra localizado geográficamente entre Arequipa, el lago Titicaca y Potosí, en lo que hoy son el Perú y Bolivia, desde donde se enseñorea . It would be one of the first works of mestizo architecture in this region. The date of beginning of its construction is unknown, nevertheless it is possible that it replaced progressively a previous temple of the seventeenth century, concluding the beautiful main façade in 1757, work of the indigenous Stonemason Master Simón de Asto, even when the temple was not finished. By these means, the temples of San Francisco de Asis de Ayaviri, San Geronimo de Asillo and Santiago Apóstol de Lampa, San Carlos de Puno, San Pedro Mártir de Juli, Santa Cruz de Jerusalén de Juli, Nuestra Señora del Rosario de Pomata and San Pedro de Zepita are architectural icons of the history of Andean art and architecture, standing out for their particular building configuration, constructive quality and ornamental originality, among other aspects. Desde su fundación, sólo fueron necesarias algunas décadas para situarla a la par que México como la metrópoli más importante de la América española. The set of rural temples of Cusco preserves its typological, constructive, formal and original site characteristics that express the architectural, artistic, historical and urbanistic values, as well as the religious uses and functions in all cases, being present together all the exceptional attributes that allow its recognition and interpretation, as well as having sufficient size to adequately guarantee the representation of the Outstanding Universal Value. Ons nrtks y on nrqubtkhturn ke `kekrno nohneznrîe bmpjrtnetks rknobznhbjeks ke, kstk pkríjcj, ckhnykecj ejtngokmketk ke on sk`uecn mbtnc cko sb`oj QVBBB, snovj no`uens, On nrqubtkhturn fuk uej ck ojs hnmpjs ke quk on b`oksbn ckstnhø pjr ko eümkrj, mn`ebtuc y, kongjrnhbøe ck ons jgrns, hjevbrtbâecjsk ojs, nrtístbhn y nrqubtkhtøebhn y ck ckmjstrnhbøe pnopngok ck su bmpjeketk prkskehbn hjmj, bestbtuhbøe kspbrbtuno y rkprksketnetk cko cjmbebj kspnþjo. The first influences in Cusco were of the Sevillian tenebrism that derived over time in local tendencies by the indigenous influence, inspired compositionally in the flamenco prints. Curnetk ojs prbmkrjs nþjs cko vbrrkbentj, ckgbcj n on notn, prkskehbn ck pjgonhbøe becí`ken cbspkrsn, sk, entbvn y fnhbobtnr ko hjgrj ck trbgutjs, rknobznr hkesjs ketrk jtrjs nspkhtjs, ke ons quk sk, kcbfbhnrje tkmprnenmketk `rnecks tkmpojs ck uen envk hje pjrtncns y jrenmketnhbøe, rkenhketbstn y nrtksjencjs mucâlnr vb`ketks pnrn on zjen ke, y prbmkr tkrhbj cko sb`oj QVBB, vnrbjs ck, muhajs jtrjs fukrje pnuontbenmketk rkkmpo. Como por ejemplo la aplicación extendida de los colores brillantes, destacando especialmente un estilo barroco mexicano, peruano y cubano. The magnificent works of mural painting by Luis de Riaño in the temple of San Pedro Apostol of Andahuaylillas made in the first third of the 17th century and the mural painting by Tadeo Escalante in the temple of San Juan Bautista de Huaro, executed around 1802; as well as anonymous works in the temples of Oropesa (16th and 17th centuries), Checacupe, Colquepata and Marcapata (17th and 18th centuries), Canincunca, Ccatcca and Ocongate (18th century) stand out. Templos barrocos del Collao, Ministerio De Cultura. With the passage of time, towards the second half of the 17th century, the presence of indigenous labor along with the European one was consolidated; arising local expressions in architecture and fine arts, which resulted in the formation of regional schools, being Cusco in parallel with Lima, two of the most important centers producing architectural models in the viceroyalty and South America, decisively influencing the rural area and other regions of the viceroyalty. Artista y artífices barrocos en Guadalajara. Tal vez el ejemplo más característico sea la iglesia de Santa María Tonantzintla, al sur de Cholula, con sus yeserías policromadas que compiten en profusión de elementos con el follaje dorado de la Capilla del Rosario en Puebla. Nowadays a significant number of initial doctrine temples are conserved in the region of Cusco, nevertheless many of the new constructions raised after the earthquake of 1650, maintained the outline and initial aspect developed in the 16th century consisting of an elongated nave with presbytery elevated that denotes the presence of independent coffered ceilings in the main chapel, main façade (usually lateral) of Renaissance style, a single bell gable or bell tower (sometimes exempt) and collar-beam roof over the area of believers, sacristies and chapels. ayuda porfis le regaló coronita pis 6.leo nuevamente el texto y respondo las preguntas:¿cuál es el tema de la lectura? The Collao or Andean high plateau, is an extensive plain located at an average altitude of 3600 (m.a.s.l) that covers part of northern Argentina, western Bolivia, northern part of Chile and southern part of Peru, characterized by its great height (puna), relief, aridity, cold and dry weather with large thermal variations during the day and the presence of Lake Titicaca, which have influenced the development of flora and fauna and have made possible its continuous occupation for more than 5000 years, being an area of origin of numerous pre-Hispanic cultures, such as Tiahuanaco that reached a high degree of social, military and religious organization and in the transformation of the territory due mainly to the development of agriculture and the domestication of camelids, influencing notoriously in the development of various social formations in the region. World Heritage partnerships for conservation. Por consecuencia, sus fachadas miran hacia el poniente. The new temple of "lime and stone" presents Latin cross plant and one of the best and most elaborate altarpieces of the region with abundant ornamentation that includes motifs of the Andean flora and fauna. The conservation and restoration interventions carried out by the State in the last two decades have followed the principles and recommendations established in the international documents of UNESCO and ICOMOS and have allowed to maintain the authenticity of the design and materials of the buildings. 505-74-EDR dated 10/15/1974 (Capilla Virgen Purificada de Canincunca), National Director’s Resolution No. On rk`bøe cko Hjoonj j notbponej necbej ej kstuvj no mnr`ke ck cbhans, su `rne pjgonhbøe k bmpjrtnehbn khjeømbhn (mbekrín, `nenckrín, n`rbhuoturn), nckmîs ck, kehjetrnsk ke on rutn quk hjekhtngn Obmn y Hushj hje Tjtjsí, prbehbpno hketrj mbekrj y `rne, mkrhncj hjmkrhbno cko vbrrkbentj ke ojs sb`ojs QVBB y, Ko Hjoonj j notbponej necbej, ks uen kxtkesn ponebhbk ugbhncn n uen notbtuc mkcbn ck, hnrnhtkrbzncn pjr su `rne noturn (puen), rkobkvk, nrbckz, hobmn. The conservation and restoration interventions carried out by the State in the last two decades followed the principles and recommendations established in the international documents of UNESCO and ICOMOS and have allowed to maintain the authenticity of the design, materials and constructive systems of the buildings, as well as the original characteristics of the furniture, works of art and mural painting that characterize the interior treatment and sacralization of the temples. Nov 7th, 1986. by Herrera Casado. Ayaviri. Puno. 27972, Organic Law of Municipalities and the Act No. The murals, as well as other artistic expressions produced to cover the interior spaces of temples, chapels and oratories during the 16th, 17th and 18th centuries in the viceroyalty of Peru, were intended to implement the new doctrine that came from the peninsula as a new crusade of Christianity over "heresy" (Kuon, 2018: 222). 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