(1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. Since the beginning of the invasion, the Cultural Heritage Monitoring Lab, aided by the University of Maryland Center for Development and Conflict Management and a displaced Ukrainian Fulbright scholar supported by the Smithsonian, used remote sensing to identify some 1,600 cases of potential damage to Ukrainian cultural heritage sites. Research specialties: Ethnographic and Indigenous archives, information ethics, language revitalization, indigenous knowledge systems, knowledge repatriation, Africa. In 2020, at a Washington, D.C. symposium organized by the Smithsonian Cultural Rescue Initiative (SCRI), Ihor Poshyvailo, the director of the Maidan Museum in Kyiv, warned American and international colleagues that culture was becoming an object of war, as Russification policies in the regions captured in 2014 were aimed at diminishing a Ukrainian presence. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). Building on the awareness raised since the beginning of the century by a suite of UNESCO Declarations and Conventions, the centers Cultural Sustainability Research Group is at the forefront of a shift from reified and ossified discourses of preservation to more dynamic and ecological models of sustainability. (1970) Williams College; M.A. Research specialties: Language documentation and description, language revitalization, youth motivation in language vitality, language and cultural diversity especially in Oklahoma and American Southeast, community-based endangered languages archives, language policy. In the practical implementation of cultural sustainability, CFCH also manages three different projects where the theoretical finding of this research can be put to test in the field. (1973) Scripps College, M.A. Research Associate. This paper defines the field as folklore and uses that term throughout its paper:[4]. [note 1] Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.[2]. The Center for Folklife and Cultural Heritage is a research center of the Smithsonian Institution. University of California, Los Angeles. The Smithsonian accessed funding provided by its federal appropriations and tapped stalwart donorsBank of America and the Mellon Foundation to support packing and protection efforts and the acceleration of its satellite monitoring work. (1974), Ph.D. (1981) University of Chicago. B.A. How is this defined, and how is it measured? In 1987, the office purchased the Folkways music collection which became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. B.A. Research specialties: City and regional planning, cultural sustainability, elevation of cultural practices to improve local economies. Box 37012, MRC 520 Washington, D.C. 20013-7012. Polish organizations lent tremendous logistical help. Research specialties: Sound archives, archives, traditional musicof the United States, Woody Guthrie, Lead Belly, record production, history of sound recordings. The Center builds cultural understanding, strengthens communities, and reinforces our shared humanity through the Smithsonian Folklife Festival, Smithsonian Folkways Recordings, Cultural Sustainability initiatives, research and educational programs and the Ralph Rinzler Folklife Archives and Collections. National Museum of African American History and Culture Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian. (1976) Simmons College; M.A. Email powered by MailChimp (Privacy Policy, Terms of Use), Living traditions of, by, and for the people. Smithsonian Folkwaysisdedicated tosupporting cultural diversityandincreased understanding among peoplesthrough the documentation, preservation, and dissemination of sound. Telephone: 202.633.6440 Fax: 202.633.6474 Email . This research informs collaborations with communities working to sustain their most cherished cultural heritage: Sustaining Minority Languages in Europe Project. In addition to daily performances and activities on the National Mall, the Smithsonian Folklife Festival recommends events and exhibitions relating to our programs at other Smithsonian museums and venues around Washington, D.C. All events are free unless otherwise noted. Cultural Specialist and Curator. (1967) Harvard University; M.A. But the centers few vehicles were needed for civil defense purposes and thus unavailable. Every summer since 1967, the Smithsonian Folklife Festival brings together artisans, musicians, cooks and storytellers from around the world on the National Mall in Washington, D.C., for performances, workshops, and demonstrations of living cultural expression. Research specialties: Latin American and Latino studies, American cultural history, material culture, folklife. Free to the public, the Festival drew 8.25 million visitors on site and online in 2017. (1974), Ph.D. (1981) University of Chicago. [9], The Archives' holdings were seeded by the business records of the Folkways Record label, which were acquired by the CFCH in 1987, and contain the business files of Lead Belly, Pete Seeger, and Woody Guthrie among others. It is open to guest researchers and other visitors by appointment. B.A. B.A. Contact:NDiaye@si.edu, Place, Jeffrey, Curator and Senior Archivist. (2011) New York University. The ambassador noted that, with the destruction of museums, archives, libraries, cultural and religious sites, theaters, and other places of social significance, the Russian military is attempting to erase a people, to purposefully eliminate the sense and spirit of their claim to nationhood and sovereignty. The Sacred Grove: Essays on Museums. (1979) Emory University; Ph.D. (1991) George Washington University. This collaborative project between the people of Armenia, the Smithsonian and USAID aims to deepen understanding of the countrys living traditions and heritage sites. Cloud cover over the region for days prevented good imagery. Contact:BelanusB@si.edu, Butvin, Halle, Director of Special Projects. Over decades of research and production, we have created educational materials for cultural professionals, educators, and casual learners, including lessons plans, documentation handbooks, learning guides, and online exhibitions. To date, almost 1,600 cases of potential damage to Ukrainian cultural heritage sites have been documented, including some 700 monuments and memorials, and more than 200 museums, archives and libraries. Included in the more than 3,000 albums are the recordings of Woody Guthrie, Lead Belly, Pete Seeger, Bill Monroe, Doc Watson, Ella Jenkins, Bernice Johnson Reagon and thousands of others; civil rights movement songs and speeches; the poetry of Langston Hughes; historical Native American traditions; varied regional and immigrant songs; and music and spoken word traditions from across the globe. Contact:Kurin@si.edu, Linn, Mary S.,Curator of Language and Cultural Vitality. Major projects have included the Anthology of American Folk Music, the Smithsonian Anthology of Hip-Hop and Rap, and numerous series on the music of Central Asia, the Andes, and other regions. works with UNESCO, ministries of culture around the world, as well as local, national, and international governments to recommend and develop policy concepts and language on cultural sustainability. Research specialties: Intangible cultural heritage, Latin American music (specifically: USA, Mexico and Guatemala, Indigenous and migrant communities). Contact:DeutschJ@si.edu, Daz-Carrera, Cristina,Curator. Given satellite coverage, they can reference images over a period of time to pinpoint when the damage occurred and how extensive it is. Your Privacy Rights As part of SCRIs expanding research and training activities, Poshyvailo became first a trainee and then an instructor for the program and stayed in close contact with Wegener. Research specialties: Cultural heritage studies, ethnomusicology, Asian studies, cultural policy, Indonesian performing arts, education, development studies, international relations. Curator and Senior Archivist. B.A. The greatest number of cases are associated with regions of the most aggressive Russian attacks: Kyiv, Kharkiv, Mariupol and Luhansk. B.A. The Smithsonian, in an effort to document cultural war crimes as defined by the 1954 Hague Convention, shares its findings with Ukrainian cultural colleagues, and with the U.S. Department of States Conflict Observatory. The Smithsonian Folklife Festival is an international exposition of living cultural heritage annually produced outdoors on the National Mall of the United States in Washington, D.C., by the Smithsonian Center for Folklife and Cultural Heritage. (1978) Arizona State University. Collaborative Cultural Research and Public-Sector Folklore Presentation: An Ethnographic Study of the African Immigrant Folklife Study Project Awards And Honors Fellow, conferred by American Folklore Society, 2017 Affiliation Member Of Center for Folklife and Cultural Heritage Contact (1978) Kenyon College; M.L.S. (2012) Leiden. And the work of organizations, including the Smithsonian, mobilized thanks to years of cultural heritage training efforts, is aiding the country in its effort to protect artifacts, books, documents and artworks from these insidious attacks. (2009) University of Hawaii at Mnoa/East West Center; M.A. The SLC works collaboratively with Smithsonian museums and research centers, ensuring that the contributions of the Latino community in the arts, history, national cult Learn More Smithsonian Commemoration The Smithsonian at 175 Research specialties: Occupational folklife, African folklife, epic, narrative, proverbs, computer applications in folklore, intangible cultural heritage policy. Smithsonian Center for Folklife & Cultural Heritage Blog | Smithsonian Magazine Smithsonian Voices From the Smithsonian Museums Introducing Graphic Artist Jean Young's Powerful New. B.A. [5] Morris had no professional museum experience. Curator. University of California, Los Angeles. It had a seven million-dollar budget, lasted twelve weeks and involved five thousand artists from every region in the United States and from 35 other nations. Non-profit organizations based in Washington, D.C. Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, Morris, James R. Smithsonian Impresario: A Memoir by James Morris (2011). (2001) Youngstown State University; M.A. The record label originated as the Folkways Records of Moe Asch, which were donated to the Smithsonian in 1989 under the unique condition that all records in the collection remain available "forever", regardless of sales. The task at first was overwhelming. B.A. (1989), M.A. Folklife Festival Smithsonian Institution cultural center in the U.S. Center for Folklife and Cultural Heritage, Sustaining Minority Languages in Europe (SMiLE). Rajiv Shah, president of the Rockefeller Foundationrecalling the 2010 success of the Smithsonians Haiti Cultural Recovery Project hed supported when head of U.S. Agency for International Developmentpledged major support. In 2017, the label reached 251 million listeners through radio, online streaming and sales. The Cultural Vitality Program works collaboratively with communities around the world to support the sustainability of homegrown forms of cultural and artistic production, especially in the areas of language, Indigenous culture, and craft. The Centers work is local, national, international, and global in scope. B.A. Research specialties: Music history, library and information sciences, ethnomusicology, multicultural history of the banjo. The inventory now includes more than 28,000 sites. (1989), M.A. Then, theyve carefully re-packed them with an eye toward their long-term sustainability. Using satellite imagery, the labs team examined the cultural damage caused by another Haitian earthquake, Taliban attacks on cultural sites in Afghanistan and the treatment of cultural resources in areas contested by Armenian and Azerbaijani forces. For more on the Smithsonian Cultural Rescue Initiative and its efforts in Ukraine, listen to the Smithsonians Sidedoor podcast and view the latest reports on cultural heritage damage in Ukraine. In 2015, UNESCO inscribed the Moses and Frances Asch Collection into its Memory of the World International Register. Alberta at the Smithsonian Carriers of Culture: Living Native Basket Traditions Nuestra Msica: Latino Chicago Special Events (2006) 2005 Food Culture USA Forest Service, Culture, and Community Nuestra Msica: Music in Latino Culture (2005) Oman: Desert, Oasis, and Sea Special Events (2005) That enables the monitoring of bombings, missile strikes, artillery shelling and fires. For a list of individual collections included under the umbrella of Smithsonian Folkways, see, For specifics on research questions for this group, see, For a list of events sponsored by this research group, see, Convention for the Safeguarding of the Intangible Cultural Heritage, Ralph Rinzler Folklife Archives and Collections, European Charter for Regional or Minority Languages, "Sustaining Minority Languages in Europe (SMiLE)", Smithsonian Contributions and Studies Series, John F. Kennedy Center for the Performing Arts, https://en.wikipedia.org/w/index.php?title=Center_for_Folklife_and_Cultural_Heritage&oldid=1059238250. Morris and Rinzler were named Washingtonians of the Year. (1977) University of North Carolina; Ph.D. (1988) University of Edinburgh. The charge for this inquiry was set forth in 1992 with passage of the European Charter for Regional or Minority Languages, which mandates protection and promotion of historical regional and minority languages in Europe. For the past nine months, a squad of Uber drivers has made more than 200 trips and racked up more than 30,000 miles taking conservators to hundreds of museums and offsite storage locations throughout Ukraine. The compound name, Center for Folklife & Cultural Heritage, epitomizes an ongoing transition within the field of cultural studies. [note 3]. At a meeting in 1989, they published a "Recommendation on the Safeguarding of Traditional Culture and Folklore". It now includes an extensive collection of traditional American music, children's music, and international music. B.A. During that project, the Smithsonian formally established SCRI under the direction of curator and former U.S. Army monuments woman Cori Wegener, leading to similar efforts in the ensuing years to respond to cultural crises around the worldfrom temple-destroying earthquakes in Nepal to museum bombings in Syria and Iraq. The recordings were bundled into the Smithsonian Folkways label. Hawaiian Participants at Festival of American Folklife, 1989, Quilter Demonstrates Her Craft at Festival of American Folklife, 1968. Since 1967, the Smithsonian Folklife Festival has collaborated with cultural practitioners, communities, heritage professionals and scholars to spark curiosity, catalyze intercultural exchange, and create participatory experiences that nurture creative human connections. (1976) University of Minnesota; M.Ln. Following the Bicentennial Festival, Morris went on to other positions in the Smithsonian complex. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). To support Putins wrongful argument that Ukraine doesnt have a culture and history independent of Russia, his forces figure they can simply bomb away the countrys cultural heritage. Yugoslav dancers rehearse on the South Terrace of the National Museum of History and Technology, now the National Museum of American History, before their performance at the seventh annual Festival of American Folklife, June 30 - July 8, 1973. Research specialties: Material culture, folklore and education, public programming. This page was last edited on 8 December 2021, at 08:10. In a September 2022 presentation in New Yorks Ukrainian Museum during United Nations General Assembly week, Ukraines first lady Olena Zelenska and Ukrainian Ambassador to the U.S. Oksana Markarova clearly articulated this point. In 1987, the office purchased the Folkways music collection which became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. An active research group was formed to explore and articulate this concept of cultural sustainability. Along with the artifacts of material culture, we are blanketed with artifacts of intangible cultural heritage, including traditions of performance, ritual, music, dance, knowledge, storytelling, and oral transmission. A relatively small but interesting and well-documented material culture collection includes iconic and other items from the Festival and the Centers projects. The Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education, and community engagement. Ukrainians are fighting for their freedom, and in particular their freedom to be who they culturally are. Theyve conducted inventories and composed condition reports. Junior Volunteer at Festival of American Folklife, 1986. As with all archives, the Folklife Archives is currently working to move its entire collection into digital format, thus enabling global access to the artifacts. How much of the culture of a region is embodied in the actual vocabulary of its language? Ukrainians were strong and united in their fight on the battlefield and on the home front to defend their freedom to be Ukrainian, she said, and she thanked the U.S. and allies for helping them in that worthy battle on behalf of all freedom-loving people the world over. Following World War II, the nations of the world contemplated the armed conquest of neighbors, the Holocaust, genocide and mass execution, the restrictions of thought, movement, belief and association inflicted by the Nazi regime. Music HerStory: Women and Music of Social Change The Smithsonian Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center . Mailing Address Center for Folklife and Cultural Heritage Smithsonian Institution P.O. Research specialties: English country dance in the U.S., Scottish traditional song and the Folk Revival, comparative British and Appalachian folksong traditions. Folklife presentation, education, and research began at the Smithsonian Institution in 1967 with the first annual Festival of American Folklife held on the National Mall. The impact of the Center is felt far beyond the National Mall. Ihor Poshyvailo, director of the Maidan Museum in Kyiv and co-founder of Ukraines Heritage Emergency Response Initiative, along with his crew, salvages the remains of the Church of the Nativity of the Blessed Virgin Mary built in 1862 and shelled by the Russians in March 2022. [3] Instead of collecting and curating objects, both the Festival and the Folkways units at CFCH collect, research, and produce experiences. The centers collections are global in perspective, covering world ethnic performance traditions, spoken-word recordings, sounds of science and nature, occupational folklore and family folklore. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. In 2010, a fourth component was added to this model: culture. Conservators from Ukrainian museums, libraries and archives have benefited from the advice of experts at the International Centre for the Study of the Preservation and Restoration of Cultural Property and specialists from the Smithsonians Museum Conservation Institute, the Smithsonian American Art Museum, the National Museum of Asian Art, and the Smithsonian Libraries and Archives. IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Contact Soeun directly . Cultural Sustainability Research in Action. Year after year, it continues to bring musicians, artists, performers, craftspeople, workers, cooks, and storytellers into this public forum to demonstrate the skills, knowledge, and aesthetics that embody the creative vitality of community-based traditions. [12] By acknowledging culture to be independent and separate from the social development of individuals, it recognizes the power and role of cultural structures and forms to give shape and meaning to a social group. Afrofuturism: A History of Black Futures The Archives documents the Centers work on the Smithsonian Folklife Festival and Smithsonian Folkways, and contains the recordings, photographs, papers, and objects related to several historical record labels. Belanusb @ si.edu, Butvin, Halle, smithsonian center for folklife and cultural heritage address of Special projects 1989..., 1986 the Festival drew 8.25 million visitors on site and online in 2017, label... Million listeners through radio, online streaming and sales was added to this:..., sustainability projects, educational outreach, and how is it measured Festival American. Moses and Frances Asch collection into its Memory of the Smithsonian Folkways,! 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When the damage occurred and how extensive it is contact: BelanusB @ si.edu,,! Children 's music, children 's music, children 's music, and for the people, epitomizes ongoing! Of American Folklife, 1989, Quilter Demonstrates Her Craft at Festival American! Junior Volunteer at Festival of American Folklife, 1986 images over a period of time to pinpoint when the occurred. The collections including photographs, artworks, artifacts, scientific specimens, manuscripts, smithsonian center for folklife and cultural heritage address records, more! Defense purposes and thus unavailable culturally are, Folklife, a fourth component was added this... 1981 ) University of Edinburgh ; M.S.L.S cultural Vitality fourth component was added to this:... Through radio, online streaming and sales 2015, UNESCO inscribed the and... Sustaining Minority Languages in Europe Project cultural diversityandincreased understanding among peoplesthrough the documentation, preservation, and in particular freedom. 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